Pamela Leavey

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Writers on Writing: Jane Bernstein

Reading Jane Bernstein’s essay “How and Why” brought to mind my own very speculative mind and spirit that is in constant query as to the how and why’s of things. As a writer, my speculative mind and spirit causes me to look deeper into my own heart and mind, and I feel that it also grants me a strong intuitive mind that understands what is deep within other minds, connecting me to depths of humanity and life itself.  Reading “How and Why,” I could identify with Bernstein’s running, in that I walk, to clear my mind and “mull” things over. (Griffin p. 11)

When I am walking outside in nature, I lose myself into the landscape that envelops me as though I am one with it. When I am walking outside in nature, I tune out any extraneous real world soundtrack and tune into the concerto of bird song or the rustle of the leaves or marsh grasses whispering in the soft breeze or perchance keening in the wicked wind. My mind becomes clear, empty in that process of immersing myself in nature and it is then that I mull, as Bernstein does when she is running. There is a space in a clear mind that creates from a point deeper, more connected to the soul, which is a vital point of connection needed to write in the first person about one’s self and life.

Jane Bernstein’s essay “How and Why” is available in Connie Griffin’s book “To Tell the Truth: Practice and Craft in Narrative Nonfiction.” This book has been my go to book throughout the past two years studying Creative Writing at UMass Amherst University Without Walls. It has also served as textbook and reference book for four classes I have taken with Connie Griffin, including two core classes, Frameworks of Understanding and Writing for Experience, as well as Magazine Writing and Creative Non-fiction. 

The practice of reading other writers on their struggles with their craft is so helpful. All writers struggle with finding their voice, creating the right space to work in, shutting out their inner critic and getting past self-doubt. Those are just a few of the issues that writers face. As I continue to work through my own issues with writing and work to shape my first memoir, look for more posts here on Writers on Writing.

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Quote of the Day: Joan Didion

Writing has always been a part of me. Thoughts I could not express in verbally came easier to the page. Yet I still struggled to understand that writing was part of the integral path in my life that cried out for me to follow. I follow that path now, struggling sometimes to force the words to the page, and hoping that those words resonate with others. Sometimes it feels like I looking for something hidden deep within a haystack. I persevere. I draw inspiration from memoirist’s like Joan Didion as I work on my own memoir.

I knew that I was no legitimate resident in any world of ideas. I knew I couldn’t think. All I knew then was what I couldn’t do. All I knew was what I wasn’t, and it took me some years to discover what I was. Which was a writer.  ~ Joan Didion

haystack

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Quote of the Day: Robert Browning

 "Ah, but a man's reach should exceed his grasp--or what's heaven for?" - Robert Browning

“Ah, but a man’s reach should exceed his grasp–or what’s heaven for?” – Robert Browning

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Quote of the Day: Sam Keen

Sam Keen Wondering Eye Quote

“Only the wondering eye sees the sacred horizon enfolded within the petals of a blue flower.”
– Sam Keen – Hymns To An Unknown God

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Quote of the Day: Anthony Doerr

Anthony Doer - All the light

“To say a person is a happy person or an unhappy person is ridiculous. We are a thousand different kinds of people every hour.” ~ Anthony Doerr

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Reflections on Thoreau’s Walking

Thoreau speaks of walking in nature as a “sort of crusade,” a pilgrimage of sorts, in search of all that is holy in the midst of nature. (Thoreau p.72) In fact, Thoreau calls walking a noble art, one that is not unlike the Knights of old. (Thoreau p. 73) On this, I cannot disagree for I feel my walks in nature take on a higher order in my life and connect me to all of my senses at once and without a doubt to a higher order within the universe.

It is in walking in the afternoon Thoreau says that, he would “fain forget all my morning occupations and my obligations to society.” (Thoreau p. 78) In fact, if the thought of things other than nature invade his time walking, he would find himself returned to his senses through nature, recognizing he has no business walking in the woods, if he is “thinking of something out of woods.” (Thoreau p. 79) For it is the “subtle magnetism in Nature, which, if we unconsciously yield to it,” that “will direct us aright.” (Thoreau p. 85) Yes, I can concur for when I walk I find the ills of my life are lessen, the pains in my heart are healed, and my senses are awaken by the smallest gift of nature that speaks to me as I stroll through nature’s woods and pastures.

Moreover, in the midst of Thoreau’s exhalations of the restorative power of nature on our psyche, he takes time to remind us of our duty to preserve nature, for “all good things are wild and free.” (Thoreau p. 107) Without nature, the question begs, what place does man have in the world. Thoreau implores us to preserve nature and to respect nature. Thoreau draws the parallel of walking in nature as a spiritual connection to the world in which we live, a connection that is vital to our very lives.

Works Cited

Thoreau, Henry David. “Walking.” Emerson, Ralph Waldo and Henry David Thoreau. Nature / Walking. Boston, MA: Beacon Press, 1991. p. 71 – 122.

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